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Author
Information
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Elisavietta
Ritchie
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William
Rivera & Elisavietta Ritchie will read
at 7 pm, Wednesday, 28 June, at Kensington
Row Bookshop, 3786 Howard Avenue, Kensington
MD 20895,
(301-949-9416. ). Open reading follows.
Both
poets have travelled widely and studied,
lived and worked abroad, but both also
are long active in literary circles in
the Greater Washington Area. Their work
appears in Innisfree, Gargoyle, Loch Raven,
and many other publications throughout
the world as well as in translation.
William
Rivera published five poetry collections:
At the End of Legends String, (Views
Press), Noise (Broadkill River Press),
Buried in the Mind's Backyard (Brickhouse),
The Living Clock (Finishing Line), Café
Select (Poet's Choice), and another is
in progress. Recently professor of Adult
Education and Agricultural Extension and
Development, Rivera worked at the Library
of Congress and overseas as an agricultural
economist. He taught for several years
at Syracuse University and later for thirty-three
years at the University of Maryland, College
Park. He also has two academic books to
his credit: Planning Adult Learning: Issues,
Practices and Directions, and Agricultural
Extension Worldwide.
Elisavietta Ritchie, long a workshop leader,
poet-in-the-schools, and translator, lived
in Australia, Canada, Europe, the Middle
and Far East. She has led various creative
writing workshops over the years, and
for five years as a graduate teaching
fellow, also taught French translation
at American University. The United States
Information Service sponsored her readings
overseas. She spent 13 years as president
of the Washington Writers Publishing House,
and created the Wineberry Press. With
twenty books and chapbooks of poetry,
and two of Stories & Half-Stories,
her latest titles, from Poets Choice
Publishers, are Reflections: Poems on
Paintings, A Poets Gallery; Babushka's
Beads: A Geography of Genes, on her Russian
ancestors, and a new collection in press,
HARBINGERS.
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Johnes
Ruta
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Johnes
Ruta is an independent curator, historical
art theorist, and epistemological researcher.
In 1966, at age 18, he traveled alone through
Europe for one year, recording his dreams.
His writing career began in 1972 as a theatre
critic and managing editor of an arts newspaper
called The Entertainer. Since
1978, he has consulted as a database developer
and web designer, since 1988 concurrently
organizing monthly international art exhibits
in New Haven and NYC. He is also the organizer
of periodic forums presenting renown experts
on philosophy, mythology, geometry, and ancient
architecture. AzothGallery.com/ |
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Notes
on Fires Eternal Morning from the
Author:
Fires Eternal Morning is an exploration
of the stream of Unconscious memory. Along
with the telling of dream stories and childhood
perspectives, its aspiration is also to
stimulate the readers recollection
of recent and forgotten dreams. Creating
a prose-poem landscape of dreams,
-- a dream of consciousness
-- Fires Eternal Morning is a free-metaphor
reflecting multiple layers of allegory.
After the anthropology of Margaret Mead,
the story is "A Coming of Age in the
Cold War": Set in a place called Paradise
Green, John Hauberc, survivor of a
radiation war, tries to find his way back
from the precipice of loss in a world torn
asunder. He follows the map of Dante, through
the Inferno of nuclear catastrophe, and
the rubble of cities; through the Purgatory
of emotions and dangerous political intrigues;
and into the Paradise of Mind and Body...
The fires are the fires of global apocalypse,
the fires of love, the fires of irony and
wit, the fires of alchemical transformation...
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